Valentino: a return to the origins in every way
Parade Valentino's haute couture parade has rescued the original environment of the first parades, the study of the silhouette and, also, many known faces of the catwalks of yesteryear
By Nuala Phillips
The inauguration of the Valentino Haute Couture Parade this noon by Kristen McMenamy covered in a minid of yore.
Thus, Mcmenamy later joined names such as Maria Carla Boscono, Lara Stone, Anna Eweers, or even the Spaniards Jon Kortajarena and Violeta Sánchez.All of them shared the stage with some of the faces of the moment, and what stage.Because the parade, located in the rooms of the Place Vendôme, sought precisely that return to the essence of the haute couture that the collection itself also announced.A return to the really relevant in which the attendees witnessed distributed in chairs through the various rooms, the colorful and precious carousel that Pierpaolo Piccioli had conceived for the date.
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Delicate gauze dresses that have let the female body guess through strategic openings combined with more than one structured silhouette and the already traditional volumes in Tafeta, sign of the identity of the house.The difference, however, came from the hand of a good handful of minidants, often made in layers and also a greater presence of pants, these combined with dramatic tops and flat shoe.
But talking about the Valentino de Piccioli without mentioning the color, means forgetting the magic of his creations.No one like him knows how to create chromatic harmonies and this last deployment has not been an exception.Although the parade has begun with a thorough study of black, we have soon been able to delight with Klein or Rosa blue brushstrokeLima starred in this overwhelming chromatic fan that allowed more than one break by the hand and pailettes, also very present, although mostly on more neutral looks.
Luxury winks such as feathers have also been recurring or even the occasional golden maxicollar that referred us to the deployment of Schiaparelli on Monday, they supposed the touch of gold to a collection that sought to rescue the essence of the hut sewing and achieved it without disheveledWith few more weapons than Antony and The Johnsons in the background and the magic of the Pier Paolo team, which got rid of hugs with them, as a definitive show that, today, the really important work was well done.
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